Iberodocs, Glasgow: N-VI Vanishing Roads and Humano

    My reviews of two films showing at the 2nd weekend of the 2015 edition of Iberodocs are now online:

• N-VI Vanishing Roads (Pela del Álamo, 2012) - a portrait of the abandoned N-VI road between Madrid and Galicia, presented through the people who still live alongside it. My review is here.
• Humano (Alan Stivelman, 2013) - 25-year-old Alan sets off on an existential journey in the Andean mountains, searching for answers to fundamental questions about what it is to be human. My review is here.

Pela del Álamo's film continues the festival's 'Focus on Galicia' strand and looks at what happened to the communities alongside the N-VI road when it was superseded by the A-6 motorway. The film accumulates a sense of loss and isolation as it progresses but also captures the stubborn endurance of those people left on the wayside - it's well worth catching if you get the chance. Humano is not really my cup of tea as films go, but if you're more open to adventures in spiritual enlightenment than I am, you may find something of interest in director Alan Stivelman's Andean quest.

Interview: Xurxo Chirro

Vikingland

    I contacted director Xurxo Chirro a couple of months ago when I was writing about 'Un impulso colectivo' and needed to track down a way of seeing Une histoire seule. So, when I realised that his film Vikingland (which I had already seen) was screening at Iberodocs, I contacted him again and asked whether he had the time to answer some questions about the film via email - he kindly agreed, and the resulting interview has been published over at Eye for Film (here).

    Where I've had the opportunity to interview directors in the past month, besides asking about the specific film they're promoting, I've also asked about 'el otro cine español' (obviously a topic of ongoing interest for me). In this case, I also asked about a more regional phenomenon - New Galician Cinema (Novo Cinema Galego). I've seen a number of films pertaining to this group but they were presented in isolation, so I don't know very much about the group collectively or how it came into being - i.e. why has there been this cinematic flourishing in the region. So the interview was enlightening for me in that context. But Xurxo's comment about 'el otro cine español' being like an archipelago with filmmakers either working alone or in smaller clusters (rather than a collective movement) also chimes with what I observed in Barcelona, and some of what filmmakers there said in response to similar questions on the general topic (in essence, I think there was another collective cluster detectable among certain films at the D'A Festival this year, in terms of filmmakers who are actively collaborating with each other and who share perspectives and cinematic attitudes). 
    As I've said on here before, I find the overall shape of 'el otro cine español' (as it is written about in Spanish publications) difficult to approach in an analytical way because the range of filmmakers included is broad and unwieldy. My method of breaking it down into a manageable starting point has been to concentrate on the documentaries, but I'm now wondering whether it might be more useful to identify a few of the concentrated clusters of filmmakers and use them as a starting point. I don't think this particularly contradicts what I've written so far on the subject; it is a refinement of my perspective and methods. But I will ponder this some more while I write up things from Barcelona - and I also have a specific topic I want to explore in relation to documentaries by filmmakers such as Víctor Moreno and Pablo Llorca, among others - so this won't be an immediate change in focus, but I may start to change my approach.

Iberodocs, Edinburgh: Arraianos and Vikingland

    The first of my reviews relating to Iberodocs have now gone online. Both films are part of the festival's 'Focus on Galicia' strand drawing attention to both the phenomenon of New Galician Cinema and a particular trend for documentary fictions.

• Arraianos (Eloy Enciso, 2012) - a poetic portrait of the borderlands between Galicia and Portugal. My review is here.
• Vikingland (Xurxo Chirro, 2011) - footage filmed by a Galician sailor who was working on a ferry between Germany and Denmark in the early 1990s is arranged to echo Melville's Moby Dick. My review is here.

Neither is a straightforwardly conventional film and would be rich texts to explore if you were considering issues of identity (personal, regional, and national), work, metaphysics, the natural world (and our place in it), and emigration - they have enough going on that I could write another review of each, focussed on entirely different elements. Both are worth seeking out if you get the opportunity. Arraianos is available on DVD (with optional English subtitles) directly from the people who made it - here.
    My other Iberodocs reviews will be of films screening in Glasgow, so I will write a separate post for them next weekend. I'll also write another post later today, to link to the interview I did with Xurxo Chirro.

Iberodocs 2015

    My coverage of the D'A Festival is still ongoing (see my previous post), but the 2nd edition of Iberodocs starts this week in Scotland - it takes place in Edinburgh from this Thursday and moves to Glasgow the following weekend. I've written a preview for Eye for Film, which you can read here. 
    If you're able to go to either weekend, I can recommend Vikingland (dir. Xurxo Chirro), Arraianos (dir. Eloy Enciso), and La plaga / The Plague (dir. Neus Ballús) - plus, Arraianos is screening with Lois Patiño's short film Montaña en sombra, which I found breathtaking when I saw it in Bradford last year alongside Patiño's Costa da Morte (my favourite film last year, as if you need reminding). I'll be reviewing some of the films showing at Iberodocs over the coming fortnight, and I also have an interview with Xurxo Chirro about how Vikingland came to be and what New Galician Cinema is all about. I will post the links on here as and when they exist.