A devilish communication in El día de la bestia |
Apart from El día de la bestia (1995), the retrospective is skewed towards de la Iglesia's more recent films. It's a shame that La comunidad / Common Wealth (2000) wasn't included, not least because it features Carmen Maura on top form, but the four films together capture various facets of the director's career. I have something of a mixed relationship with his films - I enjoy the dark humour, excessive mayhem, and cinematic brio, but find many of the representations of women problematic. Balada triste de trompeta is a case in point and the film manages to be both hypnotic and deeply unsettling at the same time. I think it's his most interesting film so far - if you've got the stomach for it (it's probably also his most violent film, which is saying something), it's well worth catching. I'm reviewing all four films for Take One (with an additional review of El día de la bestia for Eye for Film) and will add the links below as and when the reviews appear online.